When I first acquired my Colin Kyo bagpipes from a friend they were “tied” into a grommetted Gannaway bag. At the time this did not bother me. On a tangent, I’ve longed neglected my old Henderson pipes due to difficulties with reeding the drones. With X-treme tenor reeds, a short, inverted Ezeedrone bass reed, and a new bass bottom with a bigger bore the Hendersons have been singing tied into an old L&M bag I got off of someone for $50. So, I’ve been playing my old Hendersons a lot. In addition, my Glencoe and Terry sets are also both tied into old L&M bags. I LOVE THEM. Anyways, my Colin Kyo pipes weren’t being used much due to the bag issue as I came to dislike the bulk of the grommets on the Gannaway. So, on the hunt for old L&M bags I came across one that never even had the holes cut. Sweet! So, I’m set to go now. And they sound fantastic with their new bag.
The problem started when I thought a live Facebook broadcast of a practice session of me playing my newly set up Colin Kyo bagpipes was a good idea. Lots of people tuned in, but when I went back to listen to it, there was a lot of audio quality loss. This was a Facebook thing as I guess they think video is more important. The source of the audio was my Zoom H2 recorder wired into the lightning port of my iPhone via a Blue Mikey Digital. So, this post is to offer the audio simultaneously recorded by my Zoom H2 during that session so you can hear what the pipes really sounded like. I haven’t included all the recordings because the first few were during warm up and had me sorting the chanter tuning. I last played the chanter with the bag unseasoned and so it was setup for a wet reed (pushed farther in the seat), but the bag having been seasoned since then left the reed dry and therefore sharp, and then flat because I pulled it out too much, and then just about right.
Colin Kyo drones + Colin Kyo chanter + regular Ezeedrone reeds + 5+ year old Gilmour chanter reed that just won’t quit.